Friday, 15 July 2016

'The central tone of the book is one of yearning; Astres Noirs constructs a dark and mysterious interaction between images that collectively seem to weave a meditation on existence. There’s a science fiction flavour to the images too, albeit a mature and delicate one; in Douglas Adams’s The Hitchhiker’s Guide to the Galaxy, a towel is said to be just about ‘the most massively useful thing an interstellar hitchhiker can have’; in Koenning’s photographic universe the same might be said for her mobile phone. What’s intriguing is the unique use of mobile technology as a way to see (and re-see) the world; I don’t recall any photographer using camera phones in such a way ever before, Koenning might be the first practitioner to create a style in and through Instagram... It seems Koenning has somehow accessed a different visual spectrum, accessed the full electromagnetic field of light, both visible and invisible, and also has developed an understanding of light that is beyond us mere mortals.'