Tuesday, 29 November 2022

Of Embers, ArtSpace at Realm,

Nov 2022 - Feb 2023

Friday, 21 October 2022

 Melbourne Now Artist, 

National Gallery of Victoria, 

March 2023


Thursday, 20 October 2022

       st      udi  o sept em ber    twen  tytwe nty              two

Friday, 14 October 2022

 Acquisition, untitled (shelter) from between the river and the sea 2021, 

 Josephine Ulrick and Win Schubert Photography Award, HOTA Gold Coast

 + Centre for Contemporary Photography Fundraiser +  

 Bleak House, VOID Publishing, 




curated by Brad Feuerhelm

Saturday, 17 September 2022

Saturday, 10 September 2022

 Nearest Truth Photobook Workshop 

~ Artist Lecture, September 2022 ~

Friday, 26 August 2022

Nancy, August 2022


Finalist, Josephine Ulrick and Win Schubert Photography Award 2022

Wednesday, 10 August 2022

                                                    in the studio, july twentytwentytwo


Wednesday, 27 July 2022


Angela Blakely, Amy Carkeek, Anna Carey, Alan Hill, Bruce Reynolds,Christine Ko, David Lloyd, Dean West, Eric Bridgman,Fiona Foley, Gerwyn Davies, Jay Younger, Joachim Froese, Joe Ruckli, Katrin Koenning, Kelly Hussey-Smith, Louise May Dela Cruz, Man&Wah, Marian Drew, Martin Smith, Nicolette Johnson, Raphaela Rosella, Ray Cook, Renata Buziak, Russell Shakespeare, Shehab Udin, Swade Ferguson,Talitha Grootenboer, The Huxleys, Tracey Moffatt

Spanning all four QCA Galleries spaces, this exhibition is an exploration of half a century of photographic teaching and learning at the Queensland College of Art, Griffith University. Persona: 50 Years of Photography at QCA explores the territory of the self, alter ego, disguise or alias.

This exhibition features the work of over twenty-five QCA alumni and students, and will feature a wide range of media. Focusing on works that have a strong personal or autobiographical element, the exhibition serves as a salutation to the past fifty years of Photography at the Queensland College of Art, and a celebration of what’s to come.Curated by Henri van Noordenburg.

Saturday, 2 July 2022

Wednesday, 8 June 2022

 + studio, june twentytwentytwo +

Thursday, 7 April 2022

Sleek Magazine / LOVE

'Wenn wir bereit dafür sind, greifen uns die

Fotografien von Katrin Koenning mit einer

 Wucht von Gefühlen an. Sie sagt von sich 

selbst, dass sie nicht still sein kann. 

Sie hat so recht: ihre Fotos sprechen, flüstern, 

schreien, entführen, wühlen tief und 

umfassen die ganze Palette erzählerischer 

Momente einer geschichte. Es sind 

Wahrheiten über Menschen, die Liebe 

und sie selbst. Ein Protokoll.' - Anja Prinz


Friday, 25 March 2022

Considered Environment: In Discussion


Centre for Contemporary Photography 


Thursday, 13 January 2022


ZEIT Magazin New Year Special Edition, Dec 2021

INSTALLATION VIEW: Photography Exhibitions in Australia (1848-2020) offers a significant new account of photography in Australia, told through its most important exhibitions and modes of collection and display. From colonial records to contemporary art, the book presents a chronology of rarely seen installation views from both well-known and forgotten exhibitions, along with a series of essays that tell the story of the individuals and institutions that have proved intrinsic to the public circulation of photographs. At once specific and widely contextual in its scope, this longterm research project from two of Australia’s leading academics and educators in the field enriches our understanding of the diversity of Australian photography by looking at what lies beyond the frame. Installation View speaks not only to pictures, but to the people and the places that nurture them.


Better Photography Magazine India

 the kids are in trouble in Maps of Disquiet,

Chennai Photo Biennale, Dec 2021 - Feb 2022


  Curatorial note by Arko Datto, Boaz Levin, Kerstin Meincke and  Bhooma Padmanabhan

Titled Maps of Disquiet, the 3rd edition of the Chennai Photo Biennale, reflects on the exigencies of our times: resisting majoritarian impositions, ecological collapse, and technological dystopias by reclaiming pluralities of thought, voices, and art, and building new networks of solidarity and care. In today’s world of highly specialized fields of operation, rigid chains of command and niche disciplinary focus, a space such as a biennale offers the possibility of rethinking our futures through broader parameters that address the complexity of the disquiet that we are experiencing.

The site of the 'Great Trigonometrical Survey' of 1802, the first colonial attempt to measure and map the subcontinent, Chennai today is an arena for the creation of resistant cartographies. The biennale illuminates the invisible realms of power and knowledge that shape our global present while simultaneously navigating contested visions of our global future. It asks, whose resources? Whose rivers? Whose interests? Whose voices? Whose images?



Sunday, 2 January 2022


Exhibition and Publication

Grassi Museum of Applied Arts, Leipzig Germany, Nov 2021 - March 2022