snippet from if only we could take the time:
contemporary Australian photography, National Portrait Gallery
if only we could take the time: contemporary Australian photography ~ National Portrait Gallery
Canberra/ Ngunnawal Country ~ Nov 30, 2024 - June 1, 2025
‘There is so much beauty around us if only we could take the time to open our eyes and perceive it. And then share it.’ Photographer Carol Jerrems made this tender observation in the preface to her landmark 1974 publication, A book about Australian women, produced in collaboration with writer Virginia Fraser.
Taking its title from this text, if only we could take the time: contemporary Australian photography considers how this impulse to observe, to record and to share continues to propel photographic practice in Australia today. This show, staged alongside the major exhibition Carol Jerrems: Portraits, spotlights the work of three contemporary Australian artists whose work sits in dialogue with Jerrems’ legacy.
Ying Ang, Katrin Koenning and Anu Kumar are photographers who capture
and distil quiet moments. Like Jerrems, they chronicle intimate
relationships and use the camera to mediate closely felt and emotionally
vivid experiences. The gestures that breathe life into a family home,
the swampy dislocation of early motherhood, the interlocked networks of
friends and family. In these works, tenderness, care and connection are
foregrounded and the idea of portraiture is expanded.
2023, English ~ Softcover (staple-bound), 16 pages, 29.7 x 21cm, Edition of 50 ~ Published by Light of Day Books / Melbourne
A collection of images I made on film, between 1999-2005, across Australia, Taiwan and Germany. In the photographs are: friends, animals, oceans, one Baxter Immigration Detention Centre protest image, one anti-Woolworths protest image, one lover, one river, one photographic experiment, some trees, and plants.
Four Lakes in Neither Magazine ~ published by Loose Joints
~ Founders / Editors Sunil Shah & Bharat Sikka
Emerging out of the recent pandemic, Neither is interested in creating a space for new and experimental photographic practices emerging out of South Asia and from the diaspora. However, our ultimate aim is to avoid labels based on region, nation or identity, and so this publication is neither this, nor that. It offers no grand narrative and instead foregrounds the photographic. It welcomes creative production from everywhere and reflects life as its producers and contributors experience it. What is common to all its constituent parts is a commitment to visual language and the way this forms our understanding of the world.
the kids are in trouble ~ Future Tense: Living the future now
Format Festival, Quad Derby UK, 03 - 06 2024