Friday, 15 November 2024

 

if only we could take the time: contemporary Australian photography ~ National Portrait Gallery 

Canberra/ Ngunnawal Country ~ Nov 30, 2024 - June 1, 2025


‘There is so much beauty around us if only we could take the time to open our eyes and   perceive it. And then share it.’ Photographer Carol Jerrems made this tender observation in the preface to her landmark 1974 publication, A book about Australian women, produced in collaboration with writer Virginia Fraser.

Taking its title from this text, if only we could take the time: contemporary Australian photography considers how this impulse to observe, to record and to share continues to propel photographic practice in Australia today. This show, staged alongside the major exhibition Carol Jerrems: Portraits, spotlights the work of three contemporary Australian artists whose work sits in dialogue with Jerrems’ legacy.

Ying Ang, Katrin Koenning and Anu Kumar are photographers who capture and distil quiet moments. Like Jerrems, they chronicle intimate relationships and use the camera to mediate closely felt and emotionally vivid experiences. The gestures that breathe life into a family home, the swampy dislocation of early motherhood, the interlocked networks of friends and family. In these works, tenderness, care and connection are foregrounded and the idea of portraiture is expanded.

 

Thursday, 7 November 2024

Grand Palais Paris, November 2024



Wednesday, 25 September 2024

between the skin and sea, Chose Commune, pre-order here


Friday, 30 August 2024

 Polycopies grant

between the skin and sea


 

 

Monday, 24 June 2024

 Finalist, National Portrait Prize 2024


In May 2023, Papa caught a plane to see me in Naarm/Melbourne for one day and one night. We looked at art, walked a little,ate,took trams and sat by the river. It was the first time he had come to visit on his own since losing Sharon, his partner of 23 years.


Tuesday, 23 April 2024


 

Katrin Koenning
UNTITLED, 2000–2005 (LIGHT OF DAY BOOKS NO. 10. 2023)

2023, English ~ Softcover (staple-bound), 16 pages, 29.7 x 21cm, Edition of 50 ~ Published by Light of Day Books / Melbourne

 

A collection of images I made on film, between 1999-2005,     across Australia, Taiwan and Germany. In the photographs are: friends, animals, oceans, one Baxter Immigration Detention Centre protest image, one anti-Woolworths protest image, one lover, one river, one photographic experiment, some trees, and plants.


 
 





   Four Lakes in Neither Magazine ~ published by Loose Joints 

  ~ Founders / Editors Sunil Shah & Bharat Sikka 



 

 NO GRAND NARRATIVE 

Emerging out of the recent pandemic, Neither is interested in creating a space for new and experimental photographic practices emerging out of South Asia and from the diaspora. However, our ultimate aim is to avoid labels based on region, nation or identity, and so this publication is neither this, nor that. It offers no grand narrative and instead foregrounds the photographic. It welcomes creative production from everywhere and reflects life as its producers and contributors experience it. What is common to all its constituent parts is a commitment to visual language and the way this forms our understanding of the world.

 


 
In this first issue of Neither, you will find fifteen artists working with the medium: Millo Ankha, Olgaç Bozalp, Philippe Calia, Tenzing Dakpa, Kapil Das, Charlie Engman, Devashish Gaur, Abhishek Khedekar, Katrin Koenning, Anu Kumar, Sathish Kumar, Akshay Mahajan, Kaamna Patel, Miraj Patel and Lorenzo Vitturi. Written contributions are from Muna Gurung, Raghav Pasricha, Sunil Shah and Alisha Clytus Sett. Neither is the creation of Bharat Sikka, edited by Sunil Shah and has been designed by Loose Joints Studio.

 



Wednesday, 3 April 2024

Tuesday, 2 April 2024

Tuesday, 27 February 2024

 Bodriggy’s OK Bootleg Biennale, Charlton, Vic

 February - March 2024



Wednesday, 20 December 2023

New Photographic Image

Society of modern Photography and Video

Daegu South Korea, December 2023





Saturday, 4 November 2023


 I’ve admired Katrin’s beautifully disarming work for many years now, since coming across her earlier work back in 2010 when I was starting my photography studies. She has a brilliant and uncompromising vision and is someone I could happily talk to for hours, discussing not just art and photography, but all issues we face socially, politically and otherwise. Katrin’s visual language is adorned with subtlety and poetry. Both transient and contrived, with a meticulous attention to colour, texture and tone throughout her colour, and black and white works.
 
 
Above all, the way Katrin can say so much about the living, breathing world around us through her extensive and varying bodies of work is something I strive for in my own work. It was a pleasure to catch up right before both of us were setting off on new trips abroad following her most recent exhibition of work as part of Melbourne Now’s Slippery Pictures showcase at the National Gallery of Victoria.