"With the experience of being displaced from a homeland comes a
continuous process of re-placement, through transcending traditional
physical boundaries and traditional methods of psychological
interactions. An anti-linear or disjunctive order emerges from this
constant state of interpretation. Imagined borders give way to imagined
worlds and newly created homes. Invariably and spontaneously responding
to what surrounds and inhabits her when photographing, Koenning’s
aesthetic varies, adjusting itself to
the environment and the experiences that produce it, never following a
formula. Just like a continuous shaft of light full of glimmering dust,
constantly fluctuating, and without boundaries, Indefinitely redefines
the notion of distance associated with the migratory experience by
filling it with the most simple and intense visual poems.” — Claire
Monneraye, Curator, Australian Centre for Photography
